This also let him rack the LIO-8 away from his mix position and use only the Dock and the MIO software to control the B-chain in his LIO-8. Even though, Eucon support in the MIO is not as deep as it is on the MTRX with DADman, but the basic functions he needed are there. Mike showed Nathaniel how to set up a monitor controller that bypassed the mixer, which enabled me to get all 12 channels with a mute control for each speaker.īecause the MIO software is Eucon-ised, it meant that the Monitor knob on his Pro Tools Dock could control his monitor level and mute for the room. Mike Crehore stepped in again because Nathaniel found that the Metric Halo software “MIO,” doesn’t support 7.1.4 paths in the mixer (and neither does Pro Tools, but that’s another story). Each ‘Band Split’ module in the block diagram above is set to 80Hz. Being accustomed to an 80Hz crossover in his 5.1 system, he carried that over to his 7.1.4 system. Because this is happening after Pro Tools sends the audio to the LIO-8, it’s a B-chain function that has no impact on the mixes and stems Nathaniel can print in Pro Tools and/or the Atmos Renderer.
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